Gail Edwards from Full House, Blossom and It's A Living has also appeared in such hits as Touched by an Angel, Doogie Howser, MASH, Taxi, Happy Days and the premier episode of Amazing Stories, directed by Steven Spielberg.


Biography/Resume
Last site update 2001
   

When will “It's a Living” be released on DVD?

If you know the shows’ premise, you’ll recall the waitress-harassing pianist, Sonny Mann (Paul Kreppel). Every episode featured several popular songs that Paul would emulate. The musical licensing rights to these 300+ songs would have to be re-negotiated for a DVD box set, which could cost a small fortune. I don’t think it will ever get outta the gate.
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In addition, a DVD release of Get Crazy will probably never see the light of day because, it too, has music licensing issues.
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 —From the It's a Living page

How may I obtain an autographed picture?

At this time, I've put autographing pictures on hold. However, thank you for your inquiry!

—From the M*A*S*H page

How long does it take to produce a sitcom episode?

Writers work on the scripts on and off for months. Once the script arrives, it takes a week to shoot. Here's a thumbnail sketch of a typical workweek. On day one, we do a cold reading then “block” the first act, meaning to put the dialogue on its feet, rehearsing with the director, moving around the set, etc. At 5:00, we do a run-through for the producers/writers. On day two, we receive a revised script and begin blocking the second act. The first act is cleaned up and, again, we do a run-through at 5:00. This is a major rewrite night for the writers. On day three, we receive the script's final rewrite. We do a final table reading—working through any changes in the acts. The director finishes his notes on camera moves and angles. Day four is camera-blocking day. This is a technical day. Camera, lighting, and audio are rehearsed on this day. And on day five, we tape two shows in front of live audiences.

—From the Blossom page

Why didn't Danny and Vicky get married on "Full House?"

When I came onboard, “Full House” was a top-20 show with no signs of letting up, consequently, my character was little more than icing on the cake. When I read for the part, I thought it was for four episodes only, so the fact that it became a recurring role for several years was quite a blessing. At the time, the writers had to accommodate 10 series regulars per episode — that's a lot of character juggling for a 22-minute show. Since the relationship between Saget and I was far from driving the series, it was probably a strategic move to cut me loose and throw some of that much-needed time back to the other actors and future guest stars.

In addition, I'm not sure that the writers wanted to marry off Bob’s character as it would destroy his image of a bachelor trying to raise a house full of kids. Can’t say I blame them as shows like this—where they finally find their “other half”—usually don't last.

—From the Full House page

About this Site...

When my site initially launched in ‘99, I only expected a handful of responses. To my amazement, it has had thousands of hits—resulting in numerous questions and heartfelt compliments. Thanks! I answered many e-mails, but soon found myself reiterating the same answers to many similar questions. Hence, I hope this updated site may be something you'll enjoy viewing. 10/2001

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Gail Edwards at WikipediaInternet Movie DatabaseTVGuide.comTV.com